| Issue 012 and 013 (Full Issue PDF) |
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| INTERVIEW ‘Going to the source’: TES LYSSIOTIS talks to Tony Mitchell |
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| CON CASTAN Greek-Australian Plays |
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| APPENDICES: Theatrical, Cinematic, Television Material written by Greek Australians |
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| TEXT Out From Under by Sidetrack Theatre with Dramaturgical & Editorial Note by Tom Burvill |
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| TOM BURVILL Sidetrack’s Kin: intervening in multiculturalism |
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| INTERVIEW MICHAEL GOW talks to May-Brit Akerholt |
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| GEOFFREY MILNE Cho Cho Sam: ‘a triumph of collaboration’ |
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| GAYE POOLE CASEBOOK: Darlinghurst Nights |
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| PAMELA PAYNE HECKENBERG Women of the Australian Theatre |
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| THELMA AFFORD Ab-Intra Studio Theatre in Adelaide 1931-35 |
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| Review: DAVID HEADON: God's Best Country by Gordon Francis |
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| Review: DAVID HEADON: State of Shock by Tony Strachan |
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| Review: JOHN TULLOCH; Scales of Justice by Robert Caswell |
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| Review: JOHN TULLOCH; Robert Caswell's 'Scales of Justice' by Don Reid and Frank Bladwell |
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| Review: JIM DAVIS:Plays by Charles Reade ed. Michael Hammet |
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| Review: SEBASTIAN BLACK: Wednesday to Come and Pass It On by Renee |
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| Review: MAY-BRIT AKERHOLT: Europe and On Top of the World by Michael Gow |
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| Review: HELEN WATSON WHITE: The Share Club by Roger Hall |
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| Review: SEBASTIAN BLACK: Coaltown Blues by Mervyn Thompson |
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| Review: SUSAN McKERNAN: Emerald City by David Williamson |
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| Review: BRONWEN LEVY: Real Estate and Golden Girls by Louise Page |
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| Review: JEREMY RIDGMAN: The Asian Plays by David Hare |
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| Review: SUZANNE OLB: From Page to Stage, 'L'Illusion Comique' ed. Gay McAuley |
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| Review: RICHARD FOTHERINGHAM, Themes in Drama 9: The Theatrical Space ed. James Redmond |
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| Review: DAVID CARNEGIE: Elizabethan Stage Conventions and Modern Interpreters by Alan C. Dessen |
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| Review: RICHARD FOTHERINGHAM: Australian Playwrights Speak gen. ed. Ortrun Zuber-Skerritt |
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