Issue 015 & 016 (Full Issue PDF) |
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GORDON BEATTIE From Maku to mask – from Nepean to Mimili: a report |
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INTERVIEW ‘Walking around in other times’: an interview with ALMA DE GROEN by Helen Gilbert |
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DAVID GEORGE Casebook: The Tempest in Bali – a director’s log |
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MAHMOUD AL-SHETAWI The stage as a political arena: Arab drama in the aftermath of the 1967 war |
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IAN CARRUTHERS Julius Caesar in Iraq |
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BRIAN GROW Empowering the people – African theatre and neo-colonialism |
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CON CASTAN The Uncle from Australia; a play from an ‘ethnic’ space |
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CHRISTOPHER BALME New Maori theatre in New Zealand |
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SANJAY SIRGAR Appropriate misappropriation and cultural transposition: My Wife’s Mother (1833) and Byopika Bidai (1926) |
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Review: MUDROOROO NAROGIN: The Dreamers, No Sugar, and Honey Pot by Jack Davis |
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Review: GERRY TURCOTTE: Capricornia by Louis Nowra |
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Review: DAVID BIRCH: Prize Winning Plays ed. Max Le Blond and Arthur Lindley |
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Review; CLIFF GILLAM: A Fortunate Life by Clem Gorman |
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Review; CLIFF GILLAM: The Hope by Heather Nimmo |
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Review: JOHN McCALLUM: Away and 1841 by Michael Gow |
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Review: PETER FITZPATRICK: Hate by Stephen Sewell |
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Review: GEOFFREY MILNE ; After Dinner by Andrew Bovell |
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Review: GEOFFREY MILNE ; Only Heaven Knows by Alex Harding |
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Review: GEOFFREY MILNE ; Full House, No Vacancies by Paul Davies |
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Review: MAREA MITCHELL: The Singing Detective by Dennis Potter |
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Review: TONY MITCHELL: Directors' Theatre by David Bradbury and David Williams |
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Review: TONY MITCHELL: Feminism and Theatre by Sue-Ellen Case |
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Review: DERICK R.C.MARSH: Hamlet, Prince of Denmark(ed. Philip Edwards) |
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Review: DERICK R.C.MARSH: The Merchant of Venice (ed.M.M. Mahood) by William Shakespeare |
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Review: JIM WHEATLEY: Petty Sessions (trans. Geoffrey Borny) by Racine |
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Review: IAN CARRUTHERS: Shakespeare's clown by David Wiles |
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Review: DAVID GUNBY: Theatre and Crisis 1632-1642 by Martin Butler |
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Review: DAVID GUNBY: Theatre and Crisis 1632-1642 by Martin Butler |
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