GAYE POOLE A very humanitarian type of socialism: an interview with Mona Brand
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PETA TAIT The act of forming anew: the Melbourne Women’s Theatre Group
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CAROL STEVENSON Vitalstatistix Theatre Company: feminist diplomacy in action
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JOCELYN McKINNON Breaking new ground: an interview with Sandra Shotlander
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HEATHER M. WEARNE Discourses of disruption and Alma De Groen’s The Rivers of China
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PLAYSCRIPT: JULIA’S SONG by Jennifer Compton Introduced by Carolyn Pickett
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BRUCE JOHNSON and MIKE SUTCLIFFE Barbara James: a career in Australian popular music
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HELEN GILBERT Telling it in multiple layers: an interview with Jill Shearer
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JOSIE FANTASIA Considering gender in nineteenth-century Australian theatre history: the case of Maggie Moore
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Review: CAROLYN PICKETT: Around the Edge: Women's Plays
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Review: DAVID CARNEGIE: Jeannie Once by Renée
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Review: GEOFFREY MILNE: Wet and Dry by Janis Balodis
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Review: KERRY L. WILLIAMS: Women and Comedy by Susan Carlson
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Review: TONY MITCHELL: Cinzano: Eleven Plays by Ludmila Petrushevskaya; Stars in the Morning Sky: Five New Plays from the Soviet Union, ed, Michael Glenny; and The Bolsheviks: Three Plays by M
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Review: JIM DAVIS: Actresses as Working Women by Tracy C. Davis
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Review: JOHN DOWNIE: Modern British Drama by Christopher Innes; Retreats from Realism in Recent English Drama by Ruby Cohn
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Review; ERIC IRVIN: Entertaining Australia ed. Katherine Brisbane
Australasian Drama Studies