| Issue 022 (Full Issue PDF) |
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| KERRY L.WILLIAMS The cure for women in comedy: history as TV talk show therapy |
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| TONY MITCHELL Through Anglo lenses: Italians in Australian television drama |
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| RON VERBUROT Middle class dissenter: an interview with Alexander Buzo |
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| JACQUELINE LO Political theatre in Malaysia: 1984 Here and Now |
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| CAROLYN PICKETT Reality, realism and a place to write in Alma De Groen’s Vocations |
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| FIONA WINNING Cultural Policy and community theatre |
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| PLAYSCRIPT Blood Orange by Noëlle Janaczewaks |
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| MARK GAUNTLETT Theatre going, theatre programmes, tourism |
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| Review: HELEN THOMSON: Wallflowering by Peta Murray and Wolf by Tobsha Learner |
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| Review: ANN BLAKE: For the Land They_Loved ed. Cheryl Herr |
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| review: VERONICA KELLY: Siren and Money and Friends by David Williamson |
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| Review: TOBY MILlER: My Brilliant Career: The Screenplay by Eleanor Witcombe and Proof: The Screenplay by Jocelyn Moorhouse |
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| Review: JOHN DOWNIE: Paris by Night by David Hare, The Heat of the Day by Harold Pinter and A Private Function by Alan Bennett |
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| Review: ELIZABETH PERKINS: Dorothy Hewett: The Feminine as Subversion by margaret Williams and Dorothy Hewett: Collected Plays Vol 1; |
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| Review: JOHN WEST: The Silver Road by Mervyn King |
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| Review: HAROLD LOVE: The Salome Dancer by Felix Cherniavsky |
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| Review: RICHARD CORBALLIS: Stephen Sewell: The Playwrigh as Revolutionary by Peter Fitzpatrick |
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| Review: COLIN DUCKWORTH: Beckett in Performance by Jonathan Kalb |
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| Review: KATHERINE NEWEY: Theatre in the Victorian Age by Michael R. Booth |
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| Review: PAUL McGILLICK: Acting by John Harrop and Theatre Criticism by Irving Wardle |
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| Review: HOWARD McNAUGHTON: Theatre at the Crossroads of Culture by Patrice Pavis |
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| Review; MARTIN BUZACOTT: Shakespeare's Festive World by Francois Laroque |
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| Review: JOHN JOWETT: The\ _Shakespearean Stage 1574-1642 by Andrew Gurr |
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| Review: LLOYD DAVIS: Stages of History: Shakespeare's English Chronicles by Phyllis Rackin |
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| Review: RICHARD WHITE: Sport on Australian Drama by Richard Fotheringham |
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| Review: RICHARD FOTHERINGHAM: From Minstrel Show to Vaudeville: the Australian Popular Stage 1788-1914 by Richard Waterhouse |
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| Review: RICHARD FOTHERINGHAM: From Minstrel Show to Vaudeville: the Australian Popular Stage 1788-1914 by Richard Waterhouse |
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| Review: GRAEME TURNER: New Australian Cinema by Brian MacFarlane and Geoff Mayer |
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Australasian Drama Studies