| Issue 025 (Full Issue PDF) |
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| JACQUELINE LO Introduction |
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| RON VERBURGT ‘I am because You are: You are because I am’: an interview with Rendra |
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| BARBARA HATLEY Stage texts and life texts: women in contemporary Indonesian theatre |
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| JANET PILLAI & CHARLENE REJENDRAN Teater Muda – an integrated arts approach towards devising plays with young people |
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| WILLIAM PETERSON Sexual minorities on the Singapore stage |
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| Playscript: Boss by Peter Wijaya |
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| DOREEN G. FERNANDEZ The past is present: the development of modern Philippine theatre |
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| MERLINDA BOBIS Re-inventing the epic: notes on adapting a traditional genre |
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| PAUL DOWSEY-MAGOG Demons with mobile phones: evolutionary discourse in Thai shadow pupperty |
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| HOANG SU The past and the present of Vietnamese theatre |
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| NOELLE JANACZEWSKA They’re dancing the Lambada in Hanoi |
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| PETER COPEMAN The Hearts and Minds project: towards an Austral/Asian theatre |
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| HELEN GILBERT Occidental sex tourists: Michael Gurr’s Sex Diary of the Infidel |
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| Review: PAUL MAKEHAM: Radiance by Louis Nowra |
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| Review: JOHN McCALLUM: All Stops Out by Michael Gow, and Backstage Pass by Wendy Harmer |
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| Review: MELINDA MAWSON: Sex Diary of an Infidel by Michael Gurr |
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| Review: PETER FITZPATRICK: The Temple by Louis Nowra, and The Adman by Robert Hewett |
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| Review: JONATHAN DAWSON: Strictly Ballroom by Baz Luhrmann & Craig Pearce |
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| Review: HELEN THOMSON: The Garden of Grand-daughters by Stephen Sewell, and Love Child by Joanna Murray-Smith |
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| Review: JANE GOODALL: Unmarked; The Politics of Performance by Peggy Phelan |
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| Review: LLOYD DAVIS: Staging the Renaissance: Reinterpretation of Elizabethan and Jacobean Drama ed. David Scott Kastan & Peter Stallybrass |
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| Review: GEOFFREY MILES : Looking at Shakespeare: A Visual History of Twentieth-Century Performance by Dennis Kennedy |
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| Review: TIM FITZPATRICK: Scripts and Scenarios: The Performance of Comedy in Renaissance Italy by Richard Andrews, and Commedia dell'Arte: An Actor's handbook by John Rudlin |
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| Review: JIM DAVIS: Pinero: A Theatrical Life by George Rowell |
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| Review: JOANNE TOMPKINS : Wole Soyinka Revisited by Derek Wright |
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| Review: TONY MITCHELL: Giorgio Strehler by David Hirst |
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Australasian Drama Studies