 Australasian Drama Studies
Women Making Theatre for Social Change
Number 27 October 1995
Table of Contents
- Issue 027 (Full Issue PDF)
- PETA TAIT, JULIE HOLLEDGE and TONY MITCHELL Introduction
- JULIE HOLLEDGE ‘The monster is still there’: an interview with Fe Remotigue
- MINDANAO CULTURAL WORKERS with JULIE HOLLEDGE ‘To heal our social ills’: community theatre practice in the Philippines
- MATRA ROBERTSON Korean shamanism: an interview with Kim Kum hwa
- MEEWON LEE Sahmanism and Korean theatre
- JUNG SOON SHIM Awakening self: images of women in modern Korean drama
- KAREN HEESON-SMITH ‘True people’s theatre’: an interview with Ranjana Pandey
- LI YING NING Tradition and its re-creation
- FATIMA CHEBCHOUB The female artist in Morocco: with references to actresses
- ANNE-MARIE MORGAN Three approaches to modern theatre in Jakarta in the 1990s: Rendra, Putta Wijaya and Ratna Sarumpaet
- PLAYSCRIPT: Ms Serena Serenata & Beaset, Luv! By Merlinda Bobis
- TONY MITCHELL ‘High Art’ and Low Purse’” Adelaide Ristori tours Australia 22 July- 4 December 1875 Part Two
- SUSAN PFISTERER Cultural anxiety and the new woman playwright: Mrs E.S.Haviland’s On Wheels
- NOTE: Performance studies – a reply by Gay McAuley
- Review: TOM BURVILL, Bali: Adat by Graham Shiel, and Aftershocks nu the Newcastle Workers' Cultural Action Committee with writer-in-residence Paul Brown
- Review: NADIA FLETCHER: Mongrels by Nick Enright, and Furious by Michael Gow
- Review: ROBIN BOND: Aristophanes: Myth, Ritual and Comedy by A.M.Bowie
- Review: BETSY TAYLOR: The Cambridge Companion to Medieval English Theatre ed. Richard Beadle
- Review: DENISE CUTHBERT: Shakespeare and the Geography of Difference by John Gillies
- Review: PHILIP AYRES: Hamlet versus Lear: Cultural Politics and Shakespeare's Tragedies by David Margolies
- Review; LIZ SCHAFER : As She Likes It: Shakespeare's Unruly Women by Penny Gay
- Review: EDWARD SCHEER: Artaud and the Gnostic Drama by Jane Goodall
- Review: BARBARA GARLICK: The Campbell Howard Annotated Index of Australian plays 1920-1955, domp. & ed. Jack Bedson and Julian Croft
- Review: CAROLYN PICKETT:Original Women's Theatre: The Melbourne Women's Theatre Group 1974-77 by Peta Tait, and Playworks: Women Theatre Writers 1993
- Review: PAUL MAKEHAM: John Romeril ed. Gareth Griffiths
- Review: GARETH GRIFFITHS: The Cambridge Guide to Africa and Caribbean Theatre ed. Martin Banham, Errol Hill and George Woodyard
- Review: TOM BURVILL, Theatre and Cultural Interaction by Maria Shevtsova
- Review: GORDON BEATTIE: Architecture, Actor and Audience by Iain Mackintosh
- Review: FRANCES BONNER: Television and Women"s Culture: The Politics of the popular ed. Mary Ellen Brown
- Review: JOHN DOWNIE. The Actor's Way by Erike Exe Christoffersen, and Playing Boal: Theatre Therapy, Activism ed. Mady Schutzman and Jan Cohen-Cruz
- Review: RICHARD CORBALLIS: Avant Garde Theatre 1892-1992 by Christopher Innes
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| Issue 027 (Full Issue PDF) |
|
|
Unfortunately you do not have access to this item |
| PETA TAIT, JULIE HOLLEDGE and TONY MITCHELL Introduction |
|
|
Unfortunately you do not have access to this item |
| JULIE HOLLEDGE ‘The monster is still there’: an interview with Fe Remotigue |
|
|
Unfortunately you do not have access to this item |
| MINDANAO CULTURAL WORKERS with JULIE HOLLEDGE ‘To heal our social ills’: community theatre practice in the Philippines |
|
|
Unfortunately you do not have access to this item |
| MATRA ROBERTSON Korean shamanism: an interview with Kim Kum hwa |
|
|
Unfortunately you do not have access to this item |
| MEEWON LEE Sahmanism and Korean theatre |
|
|
Unfortunately you do not have access to this item |
| JUNG SOON SHIM Awakening self: images of women in modern Korean drama |
|
|
Unfortunately you do not have access to this item |
| KAREN HEESON-SMITH ‘True people’s theatre’: an interview with Ranjana Pandey |
|
|
Unfortunately you do not have access to this item |
| LI YING NING Tradition and its re-creation |
|
|
Unfortunately you do not have access to this item |
| FATIMA CHEBCHOUB The female artist in Morocco: with references to actresses |
|
|
Unfortunately you do not have access to this item |
| ANNE-MARIE MORGAN Three approaches to modern theatre in Jakarta in the 1990s: Rendra, Putta Wijaya and Ratna Sarumpaet |
|
|
Unfortunately you do not have access to this item |
| PLAYSCRIPT: Ms Serena Serenata & Beaset, Luv! By Merlinda Bobis |
|
|
Unfortunately you do not have access to this item |
| TONY MITCHELL ‘High Art’ and Low Purse’” Adelaide Ristori tours Australia 22 July- 4 December 1875 Part Two |
|
|
Unfortunately you do not have access to this item |
| SUSAN PFISTERER Cultural anxiety and the new woman playwright: Mrs E.S.Haviland’s On Wheels |
|
|
Unfortunately you do not have access to this item |
| NOTE: Performance studies – a reply by Gay McAuley |
|
|
Unfortunately you do not have access to this item |
| Review: TOM BURVILL, Bali: Adat by Graham Shiel, and Aftershocks nu the Newcastle Workers' Cultural Action Committee with writer-in-residence Paul Brown |
|
|
Unfortunately you do not have access to this item |
| Review: NADIA FLETCHER: Mongrels by Nick Enright, and Furious by Michael Gow |
|
|
Unfortunately you do not have access to this item |
| Review: ROBIN BOND: Aristophanes: Myth, Ritual and Comedy by A.M.Bowie |
|
|
Unfortunately you do not have access to this item |
| Review: BETSY TAYLOR: The Cambridge Companion to Medieval English Theatre ed. Richard Beadle |
|
|
Unfortunately you do not have access to this item |
| Review: DENISE CUTHBERT: Shakespeare and the Geography of Difference by John Gillies |
|
|
Unfortunately you do not have access to this item |
| Review: PHILIP AYRES: Hamlet versus Lear: Cultural Politics and Shakespeare's Tragedies by David Margolies |
|
|
Unfortunately you do not have access to this item |
| Review; LIZ SCHAFER : As She Likes It: Shakespeare's Unruly Women by Penny Gay |
|
|
Unfortunately you do not have access to this item |
| Review: EDWARD SCHEER: Artaud and the Gnostic Drama by Jane Goodall |
|
|
Unfortunately you do not have access to this item |
| Review: BARBARA GARLICK: The Campbell Howard Annotated Index of Australian plays 1920-1955, domp. & ed. Jack Bedson and Julian Croft |
|
|
Unfortunately you do not have access to this item |
| Review: CAROLYN PICKETT:Original Women's Theatre: The Melbourne Women's Theatre Group 1974-77 by Peta Tait, and Playworks: Women Theatre Writers 1993 |
|
|
Unfortunately you do not have access to this item |
| Review: PAUL MAKEHAM: John Romeril ed. Gareth Griffiths |
|
|
Unfortunately you do not have access to this item |
| Review: GARETH GRIFFITHS: The Cambridge Guide to Africa and Caribbean Theatre ed. Martin Banham, Errol Hill and George Woodyard |
|
|
Unfortunately you do not have access to this item |
| Review: TOM BURVILL, Theatre and Cultural Interaction by Maria Shevtsova |
|
|
Unfortunately you do not have access to this item |
| Review: GORDON BEATTIE: Architecture, Actor and Audience by Iain Mackintosh |
|
|
Unfortunately you do not have access to this item |
| Review: FRANCES BONNER: Television and Women"s Culture: The Politics of the popular ed. Mary Ellen Brown |
|
|
Unfortunately you do not have access to this item |
| Review: JOHN DOWNIE. The Actor's Way by Erike Exe Christoffersen, and Playing Boal: Theatre Therapy, Activism ed. Mady Schutzman and Jan Cohen-Cruz |
|
|
Unfortunately you do not have access to this item |
| Review: RICHARD CORBALLIS: Avant Garde Theatre 1892-1992 by Christopher Innes |
|
|
Unfortunately you do not have access to this item |
|
