| Issue 028 (Full Issue PDF) |
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| KEIJI SAWADA The Japanese version of The Floating World: a cross-cultural event between Japan and Australia |
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| JIM SHARMAN In the realm of the imagination: an individual view of theatre |
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| ROBERT JORDAN Visualising the Sydney Theatre, 1796 |
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| REMY DAVISON Outside lookingin: an interview with Ray Mooney |
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| DAVID WILLIAMS in conversation with DAVID GEORGE Listening to images: pleasures and/in the gift |
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| CAROLYN PICKETT ‘The past is here’: an interview with Tes Lyaslotis |
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| MICHAEL HALLIWELL ‘the space between’: postcolonial opera?- the Meale/Malouf adaptation of Voss |
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| SUSAN CROFT A lost Australian playwright: ‘A Lady’, c.1850 |
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| PAUL MAKEHAM Singing the landscape: Bran Nue Dae |
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| KATH LEAHY Power and Presence in the actor-training institution audition |
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| GAY McAULEY Theatre practice and critical theory |
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| GLENN D’CRUZ Artists into academics/academics into artists: the University of Melbourne performance drama program 1975-94 |
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| Appendix: An open letter to gay Gay McAuley |
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| Review: Veronica Kelly: Crow by Louis Nowra |
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| Review: HELEN THOMSON: Sanctuary by David Williamson and Falling from Grace by Hannie Rayson |
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| Review: KATHRYN KELLY:Kafka Dances by Timothy Daly |
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| Review: GEOFFREY MILNE ; Choice by Ron Elisha and Dead White Males by David Williamson |
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| Review: DAVID CARNEGIE: Lovelock's Dream Run by David Geary |
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| Review: KATE HERBERT: No Strings Attached by Hilary Beaton |
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| Review: LISA HICKEY: Remember Ronald Ryan by Barry Dickins |
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| Review: NADIA FLETCHER: Collected Plays, Volume II by Patrick White |
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| Review: GREG McCART: The Oresteia by Aeschylus,ed. and trans. Michael Ewans |
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| Review: LLOYD DAVIS: Men in Women"s Clothing: Anti-theatricality and Effeminization 1579-1642 by Laura Levine |
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| Review: SUSAN PFISTERER: Theatre and Fashion: Oscar Wild to the Suffragettes by Joel Kaplan & Sheila Stowell |
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| Review: RICHARD FOTHERINGHAM: Pioneer Players: The Lives of Louis and Hilda Esson by Peter Fitzpatrick |
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| Review: CAROLYN PICKETT: The Plays of Alma De Groen by Elizabeth Perkins |
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| Review: DAVID WATT: Fire on the Water by Neil Cameron |
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| Review: DAVID WILLIAMS: The Tail of the Dragon: New Dance. 1976-1982 by Marcia B Siegel and Lamb at the Altar: The Story of a Dance by Deborah Hay |
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| Review: JOHN SENCZUK: Walking on Water: Sydney Theatre Company at the Wharf, comp. Kim Spinks and Sharon Baird |
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Australasian Drama Studies