| Issue 029 (Full Issue PDF) |
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| JOANNE TOMPKINS Canadian virtual realities: Canadian theatre and Australian theatre criticism |
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| ANN WILSON Border crossing: the technologies of identity in Fronteras Americans |
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| ALAN FILEWOD The comintern and the canon: Workers’ Theatre, Eight Men Speak and the genealogy of mise-en-scene |
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| SHEILA RABILLARD The seductions of theatricality: Mamet, Tremblay and political drama |
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| RICHARD PAUL KNOWLES The theatre of form and the production of meaning: contemporary Canadian dramaturgies |
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| ED NYMAN Out with the queers: moral triage and George F. Walker’s Theatre of the Film Noir |
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| DENIS SALTER Blood….Sex….Death….Birth:Paula de Vascomcelos’s Le Making of de Macbeth: an interview |
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| NATALIE REWA Astrid Janson’s designs for performance |
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| VALERIE SHANTZ Colonising Yvette Nolan: the making of an Australian playwright |
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| Playscript: Child by Yvette Nolan |
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| Playscript: The Glace Bay Miners’ Museum by Wendy Lill |
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| HELENE BEAUCHAMP Of desire, freedom, commitment and the mise en scène as a very fine art: the work of the theatre director |
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| KYM BIRD Leaping into the breeches: liberal feminism and cross-dressing in Sarah Ann Curzon’s The Sweet Girl Graduate |
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| MARVIN GILMAN Fennario and Ryga: Canadian political playwrights |
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| CRAIG STEWART WALKER James Reaney’s The Donnelly’s and the recovery of ‘the ceremony of innocence’ |
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| JERRY WASSERMAN Confessions of a vile canonist: anthologising Canadian drama |
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| Review:HELEN THOMSON, The Incorruptible by Louis Nowra and Pacific Union by Alex Buzo |
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| Review: JACQUELINE LO: The Gap by Anna Broinowski and Fortune by Hilary Bell |
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| Review: BRUCE PARR Good Works by Nick Enright |
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| Review:MARLENE MOSER: Off the Air: Nine Plays for Radio by Elizabeth Jolley |
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| review: VERONICA KELLY: The Family by Jill Shearer and Composing Venus by Elaine Acworth |
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| Review: PETER THOMSON: Romeo and Juliet (Bell Shakespeare) |
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| Review: ALEXANDER LEGGATT: Julius Caesar (Bell Shakespeare) |
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| Review: KATE NEWEY: Female Playwrights of the Nineteenth Century, ed. Adrienne Scullion |
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| Review: CAROLYN PICKETT: Enough Blue Sky by Mona Brand |
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| Review: RACHEL FENSHAM: Playing with Time; Women Writers for Performance, ed. Colleen Chesterman |
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| Review: TERRY FLEW: Arts, Minister? Government Policy and the Arts by Justin Macdonnell.pdf |
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| Review: PAUL MAKEHAM: Australian Contemporary Drama by Dennis Carroll |
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| Review: IAN STOCKS: Canada's Hollywood by Ted Magder |
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| Review: DAVID WILLIAMS:Writing Dancing in the Age of Postmodernism by Sally Banes and Moving Toward Life: Five Decades of Transformational Dance by Anna Halprin |
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| Review: HAROLD LOVE: Annotated Calendar of Plays Premiered in Australia 1850-1869,ed. Veronica Kelly |
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Australasian Drama Studies