 Australasian Drama Studies
Number 31 Oct 1997
Table of Contents
- Issue 031 (Full Issue PDF)
- BRUCE PARR, TIM BENZIE and SHANE ROWLANDS Introduction
- LLOYD DAVIS Queer Criticism on Shakespeare
- KEIRAN BABCOCK ‘Pleasure, danger and genderfucking’: an interview with Moira Flaucane
- CHRISTOPHER BECKEY Hom(m)oerotics? Or to queer the male body on stage
- PETA TAIT Interpreting bodily functions in queer performance
- PHILIP BILTON-SMITH ‘Because they’re my people’: an interview with Alex Harding and Barry Lowe
- STUART YOUNG Sleeping with the mainstream: gay drama and theatre in Britain moves in from the margin
- SHANE ROWLANDS Textualities and Sexualities of Bodies in Motion: an interview with Gail Kelly
- JONATHAN BOLLEN ‘What a queen’s gotta do’: queer performativity and the rhetoric’s of performance
- Review: GREG MCCART, Aeschylus: Suppliants and Other Dramas: Persians, Seven Against Thebes, Fragments, Prometheus Bound,ed. Michael Ewans
- Review: PHILIP BILTON-SMITH: Australian Gay and Lesbian Plays ed. Bruce Parr
- Review: JONATHAN DAWSON: Blackrock: The Screenplay by Nick Enright and Love Serenade by Shirley Barrett
- Review: LLOYD DAVIS: The Theatrical City: Culture, Theatre and Politics in London 1576-1649,eds. David L.Smith, Richard Strier & David Bevington, and Reading Shakespeare Historically by Lisa J
- Review: ANDREW MCCANN: Impersonations: the Performance of Gender in Shakespeare's England by Stephen Orgel
- Review: JIM DAVIS: The Theatre Industry in Nineteenth Century France by F.W.J. Hemmings
- Review: RACHEL FENSHAM: Performance; a critical introduction by Marvin Carlson
- Review: PETA TAIT: The Explicit Body in Performance by Rebecca Schneider
- Review: MARGARET HENDERSON: Queer Theory by Annamarie Jagose
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| Issue 031 (Full Issue PDF) |
|
|
Unfortunately you do not have access to this item |
| BRUCE PARR, TIM BENZIE and SHANE ROWLANDS Introduction |
|
|
Unfortunately you do not have access to this item |
| LLOYD DAVIS Queer Criticism on Shakespeare |
|
|
Unfortunately you do not have access to this item |
| KEIRAN BABCOCK ‘Pleasure, danger and genderfucking’: an interview with Moira Flaucane |
|
|
Unfortunately you do not have access to this item |
| CHRISTOPHER BECKEY Hom(m)oerotics? Or to queer the male body on stage |
|
|
Unfortunately you do not have access to this item |
| PETA TAIT Interpreting bodily functions in queer performance |
|
|
Unfortunately you do not have access to this item |
| PHILIP BILTON-SMITH ‘Because they’re my people’: an interview with Alex Harding and Barry Lowe |
|
|
Unfortunately you do not have access to this item |
| STUART YOUNG Sleeping with the mainstream: gay drama and theatre in Britain moves in from the margin |
|
|
Unfortunately you do not have access to this item |
| SHANE ROWLANDS Textualities and Sexualities of Bodies in Motion: an interview with Gail Kelly |
|
|
Unfortunately you do not have access to this item |
| JONATHAN BOLLEN ‘What a queen’s gotta do’: queer performativity and the rhetoric’s of performance |
|
|
Unfortunately you do not have access to this item |
| Review: GREG MCCART, Aeschylus: Suppliants and Other Dramas: Persians, Seven Against Thebes, Fragments, Prometheus Bound,ed. Michael Ewans |
|
|
Unfortunately you do not have access to this item |
| Review: PHILIP BILTON-SMITH: Australian Gay and Lesbian Plays ed. Bruce Parr |
|
|
Unfortunately you do not have access to this item |
| Review: JONATHAN DAWSON: Blackrock: The Screenplay by Nick Enright and Love Serenade by Shirley Barrett |
|
|
Unfortunately you do not have access to this item |
| Review: LLOYD DAVIS: The Theatrical City: Culture, Theatre and Politics in London 1576-1649,eds. David L.Smith, Richard Strier & David Bevington, and Reading Shakespeare Historically by Lisa J |
|
|
Unfortunately you do not have access to this item |
| Review: ANDREW MCCANN: Impersonations: the Performance of Gender in Shakespeare's England by Stephen Orgel |
|
|
Unfortunately you do not have access to this item |
| Review: JIM DAVIS: The Theatre Industry in Nineteenth Century France by F.W.J. Hemmings |
|
|
Unfortunately you do not have access to this item |
| Review: RACHEL FENSHAM: Performance; a critical introduction by Marvin Carlson |
|
|
Unfortunately you do not have access to this item |
| Review: PETA TAIT: The Explicit Body in Performance by Rebecca Schneider |
|
|
Unfortunately you do not have access to this item |
| Review: MARGARET HENDERSON: Queer Theory by Annamarie Jagose |
|
|
Unfortunately you do not have access to this item |
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