 Australasian Drama Studies
Number 32 April 1998
Table of Contents
- Issue 032 (Full Issue PDF)
- RHODA ROBERTS The 1997 Rex Cramphorn memorial lecture: A passion for ideas: Black stage
- JUDY PIPPEN Ranged between Heaven and Hades: actors’ bodies in cross-cultural theatre forms
- FRANCES DEVLIN-GLASS ‘Every man who is not Petruchio doth wish he was’: postfeminist anxiety and the resistance in Dead White Males
- KAORI KOBAYASHI Touring companies in the Empire: the Miln company’s Shakespearean productions in Japan
- HELEN THOMSON Dymphna Cusack’s plays
- Playscript: Panaylota by Angela Costi with an introduction by Kim baston
- JOH HARTOG The computerized gaze and the performing arts
- RICHARD FORTHERINGHAM Fingers in the text/book: compiling and editing theatre history
- Review: KATHERINE NEWEY, Modern Drama by Women, 1880s-1930s. An International Anthology, ed. Katherine Kelly.pdf
- Review: SIMON CHAN, Thieving Boy and Like Stars in My Hands by Tim Conigrave
- Review: HELEN THOMSON, The Torrents by Oriel Gray and Blackrock by Nick Enright
- Review: GEOFFREY MILNE Competitive Tenderness by Hannie Rayson and Waking Eve by Robert Hewett
- Review: PAUL MAKEHAM The Ghosts Trilogy (Too Young For Ghosts; No Going Back; My Father's Father) by Janis Balodis
- Review: KIM WALKER, Historiography and Ideology in Stuart Drama by Ivo Kanps
- Review: HAROLD LOVE, Richard Davis, Anna Bishop: the Adventures of an Intrepid Prima Donna by Richard Davis and Florence Austral: One of the Wonder Voices of the World by James Moffat_.pdf
- Review: HOWARD McNAUGHTON, Companion to Theatre in Australia, gen.ed. Phillip Parson with Victoria Chance
- Review: DAVID WILLIAMS, Art Into Theatre: Performance Interviews and Documents by Nick Kaye
- Review: SIMON WOODS, At Work with Grotowski on Physical Actions by Thomas Richards
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| Issue 032 (Full Issue PDF) |
|
|
Unfortunately you do not have access to this item |
| RHODA ROBERTS The 1997 Rex Cramphorn memorial lecture: A passion for ideas: Black stage |
|
|
Unfortunately you do not have access to this item |
| JUDY PIPPEN Ranged between Heaven and Hades: actors’ bodies in cross-cultural theatre forms |
|
|
Unfortunately you do not have access to this item |
| FRANCES DEVLIN-GLASS ‘Every man who is not Petruchio doth wish he was’: postfeminist anxiety and the resistance in Dead White Males |
|
|
Unfortunately you do not have access to this item |
| KAORI KOBAYASHI Touring companies in the Empire: the Miln company’s Shakespearean productions in Japan |
|
|
Unfortunately you do not have access to this item |
| HELEN THOMSON Dymphna Cusack’s plays |
|
|
Unfortunately you do not have access to this item |
| Playscript: Panaylota by Angela Costi with an introduction by Kim baston |
|
|
Unfortunately you do not have access to this item |
| JOH HARTOG The computerized gaze and the performing arts |
|
|
Unfortunately you do not have access to this item |
| RICHARD FORTHERINGHAM Fingers in the text/book: compiling and editing theatre history |
|
|
Unfortunately you do not have access to this item |
| Review: KATHERINE NEWEY, Modern Drama by Women, 1880s-1930s. An International Anthology, ed. Katherine Kelly.pdf |
|
|
Unfortunately you do not have access to this item |
| Review: SIMON CHAN, Thieving Boy and Like Stars in My Hands by Tim Conigrave |
|
|
Unfortunately you do not have access to this item |
| Review: HELEN THOMSON, The Torrents by Oriel Gray and Blackrock by Nick Enright |
|
|
Unfortunately you do not have access to this item |
| Review: GEOFFREY MILNE Competitive Tenderness by Hannie Rayson and Waking Eve by Robert Hewett |
|
|
Unfortunately you do not have access to this item |
| Review: PAUL MAKEHAM The Ghosts Trilogy (Too Young For Ghosts; No Going Back; My Father's Father) by Janis Balodis |
|
|
Unfortunately you do not have access to this item |
| Review: KIM WALKER, Historiography and Ideology in Stuart Drama by Ivo Kanps |
|
|
Unfortunately you do not have access to this item |
| Review: HAROLD LOVE, Richard Davis, Anna Bishop: the Adventures of an Intrepid Prima Donna by Richard Davis and Florence Austral: One of the Wonder Voices of the World by James Moffat_.pdf |
|
|
Unfortunately you do not have access to this item |
| Review: HOWARD McNAUGHTON, Companion to Theatre in Australia, gen.ed. Phillip Parson with Victoria Chance |
|
|
Unfortunately you do not have access to this item |
| Review: DAVID WILLIAMS, Art Into Theatre: Performance Interviews and Documents by Nick Kaye |
|
|
Unfortunately you do not have access to this item |
| Review: SIMON WOODS, At Work with Grotowski on Physical Actions by Thomas Richards |
|
|
Unfortunately you do not have access to this item |
|
