 Australasian Drama Studies
Number 33 Oct 1998
Table of Contents
- Issue 033 (Full Issue PDF)
- TOM BURVIL and CHRIS WORTHAM Foreward
- LLOYD DAVIS Why speak to the dead?!! Teaching and researching Renaissance drama
- FRANCES DEVLIN-GLASS “Teaching the audience with the play’: feminism and Shakespeare at the Melbourne Theatre Company, 1984-93
- PHILLIPA KELLY ‘Laughing in his face’: Australia’s Shakespeare
- ADRAIN KIERNANDER ‘Cupid’s bow burn’d; or, difference endangered in John Lily’s Gallathea and Shakespeare’s cross-dress comedies
- GEOFFREY MILNE Shakespeare under the stars: a new ‘Elizabethan’ tradition
- ANTHONY MILLER ‘Imperial Caesar’: Shakespeare’s Julius Caesar on the Australian stage, 1856-1889
- LUCY POTTER Hamlet and the scene of pedagogy
- KAORI KOBAYASHI Shakespeare wallah: George C. Miln’s Shakespearean productions in India
- MARK MINCHINTON The right and only direction: Rex Cramphorn, Shakepeare, and the Actor’s Development Stream
- PAUL WASHINGTON ‘Bardbiz’ in colonial Australia: the formation of a cultural institution
- LLOYD DAVIS Reviewing the Renaissance
- Review: PAMELA A FOULKES, My Body. My Blood by Margaret Kirby
- Review: MEREDITH ROGERS, Black Sequin Dress by Jenny Kemp
- Review: RACHEL FENSHAM, Australian Women's Drama, ed. Peta Tait and Elizabeth Schafer
- Review: GREG McCART, Three Plays by Aristophanes: Staging Women trans, Jeffrey Henderson
- Review: ALAN BRISSENDEN, Shakespeare's The Merchant of Venice, d. Penny Gay
- Review: JOHN DOWNIE. Shakespeare and the moving Image: The Plays on Film and Television, ed. Anthony Davies and Stanley Wells
- Review: RICHARD MADELAINE, The Texts of 'Othello' and Shakespearian Revision by E.A.J. Honigmann
- Review: HAROLD LOVE Come to Dazzle: Sarah Bernhardt's Australian Tour by Corille Fraser
- Review: IAN MAXWELL, Performing Brecht Forty Years of British Performances by Margaret Eddershaw
- Review: JANE GOODALL, A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage,ed. Carol Martin
- Review: TOM BURVILL, The Intercultural Performance Reader, ed. Patrice Pavis
- Review: TOM BURVILL, The Intercultural Performance Reader, ed. Patrice Pavis
|
| Issue 033 (Full Issue PDF) |
|
|
Unfortunately you do not have access to this item |
| TOM BURVIL and CHRIS WORTHAM Foreward |
|
|
Unfortunately you do not have access to this item |
| LLOYD DAVIS Why speak to the dead?!! Teaching and researching Renaissance drama |
|
|
Unfortunately you do not have access to this item |
| FRANCES DEVLIN-GLASS “Teaching the audience with the play’: feminism and Shakespeare at the Melbourne Theatre Company, 1984-93 |
|
|
Unfortunately you do not have access to this item |
| PHILLIPA KELLY ‘Laughing in his face’: Australia’s Shakespeare |
|
|
Unfortunately you do not have access to this item |
| ADRAIN KIERNANDER ‘Cupid’s bow burn’d; or, difference endangered in John Lily’s Gallathea and Shakespeare’s cross-dress comedies |
|
|
Unfortunately you do not have access to this item |
| GEOFFREY MILNE Shakespeare under the stars: a new ‘Elizabethan’ tradition |
|
|
Unfortunately you do not have access to this item |
| ANTHONY MILLER ‘Imperial Caesar’: Shakespeare’s Julius Caesar on the Australian stage, 1856-1889 |
|
|
Unfortunately you do not have access to this item |
| LUCY POTTER Hamlet and the scene of pedagogy |
|
|
Unfortunately you do not have access to this item |
| KAORI KOBAYASHI Shakespeare wallah: George C. Miln’s Shakespearean productions in India |
|
|
Unfortunately you do not have access to this item |
| MARK MINCHINTON The right and only direction: Rex Cramphorn, Shakepeare, and the Actor’s Development Stream |
|
|
Unfortunately you do not have access to this item |
| PAUL WASHINGTON ‘Bardbiz’ in colonial Australia: the formation of a cultural institution |
|
|
Unfortunately you do not have access to this item |
| LLOYD DAVIS Reviewing the Renaissance |
|
|
Unfortunately you do not have access to this item |
| Review: PAMELA A FOULKES, My Body. My Blood by Margaret Kirby |
|
|
Unfortunately you do not have access to this item |
| Review: MEREDITH ROGERS, Black Sequin Dress by Jenny Kemp |
|
|
Unfortunately you do not have access to this item |
| Review: RACHEL FENSHAM, Australian Women's Drama, ed. Peta Tait and Elizabeth Schafer |
|
|
Unfortunately you do not have access to this item |
| Review: GREG McCART, Three Plays by Aristophanes: Staging Women trans, Jeffrey Henderson |
|
|
Unfortunately you do not have access to this item |
| Review: ALAN BRISSENDEN, Shakespeare's The Merchant of Venice, d. Penny Gay |
|
|
Unfortunately you do not have access to this item |
| Review: JOHN DOWNIE. Shakespeare and the moving Image: The Plays on Film and Television, ed. Anthony Davies and Stanley Wells |
|
|
Unfortunately you do not have access to this item |
| Review: RICHARD MADELAINE, The Texts of 'Othello' and Shakespearian Revision by E.A.J. Honigmann |
|
|
Unfortunately you do not have access to this item |
| Review: HAROLD LOVE Come to Dazzle: Sarah Bernhardt's Australian Tour by Corille Fraser |
|
|
Unfortunately you do not have access to this item |
| Review: IAN MAXWELL, Performing Brecht Forty Years of British Performances by Margaret Eddershaw |
|
|
Unfortunately you do not have access to this item |
| Review: JANE GOODALL, A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage,ed. Carol Martin |
|
|
Unfortunately you do not have access to this item |
| Review: TOM BURVILL, The Intercultural Performance Reader, ed. Patrice Pavis |
|
|
Unfortunately you do not have access to this item |
|
