 Australasian Drama Studies
Australian Aboriginal Performance
Issue 37, October 2000
Table of Contents
- Issue 037 (Full Issue PDF)
- ANNE MARSHALL Casting about for the scent: Researching Aboriginal performance
- JARED THOMAS Land of opportunity?
- JUNE PERKINS 7 valleys of nurturing: Exploring the performing arts philosophy of Wesley Enoch: a profile
- GEOFFREY MILNE The Festival of the Dreaming: Intimate, contemporary, true
- JAN PINKERTON Fish out of water
- KEIRYN BABCOCK Power and performance: Aboriginality and the Academy
- LYNNE BRADLEY Choosing good ground: a forum interview with Kooemba Jdarra artistic directors Lafe Charleton, Wesley Enoch and Nadine McDonald
- ADRIAN MARSHALL Writing Truly, Madly, Country
- GORDON BEATTIE Reflections
- MARYROSE CASEY From the wings to centre stage: a production chronology of theatre and drama texts by Australian Indigenous writers
- Review: PETER FITZPATRICK Cloudstreet by Nick Enright and Justin Monjo
- review: VERONICA KELLY English Stage Comedy 1490 1990 by Alexander Leggatt
- Review: PHILLIPA KELLY New sites for Shakespeare: Theatre, the Audience and Asia by John Russel Brown
- Review: RICHARD FOTHERINGHAM, The Cambridge History of American Theatre; Volume 1, ed. Don B. Wilmeth and Christopher Bigsby
- Review: HAROLD LOVE The Silent Showman:Sir George Tallis by Michael and Joan Tallis, and Civilising the Colonies: Pioneering Opera in Australia by Alison Gyger
- Review: BRUCE PARR Lovesic: Modernist Plays of Same-Sex Love, 1894-1925,ed. Laurence Senelick
- Review: PAUL DWYER Legislative Theatre: Using Performance to Make Politics by Augusto Boal
- Review: JULIAN MEYRICK 1956 and All That: The Making of Modern British Theatre by Dan Rebellato
- Review: JOANNE TOMPKINS The Drama of South Africa by Loren Kruger
- Review: KERRIE SCHAEFER, Space in Performance: Making Meaning in the Theatre by Gay McAuley
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| Issue 037 (Full Issue PDF) |
|
|
Unfortunately you do not have access to this item |
| ANNE MARSHALL Casting about for the scent: Researching Aboriginal performance |
|
|
Unfortunately you do not have access to this item |
| JARED THOMAS Land of opportunity? |
|
|
Unfortunately you do not have access to this item |
| JUNE PERKINS 7 valleys of nurturing: Exploring the performing arts philosophy of Wesley Enoch: a profile |
|
|
Unfortunately you do not have access to this item |
| GEOFFREY MILNE The Festival of the Dreaming: Intimate, contemporary, true |
|
|
Unfortunately you do not have access to this item |
| JAN PINKERTON Fish out of water |
|
|
Unfortunately you do not have access to this item |
| KEIRYN BABCOCK Power and performance: Aboriginality and the Academy |
|
|
Unfortunately you do not have access to this item |
| LYNNE BRADLEY Choosing good ground: a forum interview with Kooemba Jdarra artistic directors Lafe Charleton, Wesley Enoch and Nadine McDonald |
|
|
Unfortunately you do not have access to this item |
| ADRIAN MARSHALL Writing Truly, Madly, Country |
|
|
Unfortunately you do not have access to this item |
| GORDON BEATTIE Reflections |
|
|
Unfortunately you do not have access to this item |
| MARYROSE CASEY From the wings to centre stage: a production chronology of theatre and drama texts by Australian Indigenous writers |
|
|
Unfortunately you do not have access to this item |
| Review: PETER FITZPATRICK Cloudstreet by Nick Enright and Justin Monjo |
|
|
Unfortunately you do not have access to this item |
| Review: VERONICA KELLY English Stage Comedy 1490 1990 by Alexander Leggatt |
|
|
Unfortunately you do not have access to this item |
| Review: PHILLIPA KELLY New sites for Shakespeare: Theatre, the Audience and Asia by John Russel Brown |
|
|
Unfortunately you do not have access to this item |
| Review: RICHARD FOTHERINGHAM, The Cambridge History of American Theatre; Volume 1, ed. Don B. Wilmeth and Christopher Bigsby |
|
|
Unfortunately you do not have access to this item |
| Review: HAROLD LOVE The Silent Showman:Sir George Tallis by Michael and Joan Tallis, and Civilising the Colonies: Pioneering Opera in Australia by Alison Gyger |
|
|
Unfortunately you do not have access to this item |
| Review: BRUCE PARR Lovesic: Modernist Plays of Same-Sex Love, 1894-1925,ed. Laurence Senelick |
|
|
Unfortunately you do not have access to this item |
| Review: PAUL DWYER Legislative Theatre: Using Performance to Make Politics by Augusto Boal |
|
|
Unfortunately you do not have access to this item |
| Review: JULIAN MEYRICK 1956 and All That: The Making of Modern British Theatre by Dan Rebellato |
|
|
Unfortunately you do not have access to this item |
| Review: JOANNE TOMPKINS The Drama of South Africa by Loren Kruger |
|
|
Unfortunately you do not have access to this item |
| Review: KERRIE SCHAEFER, Space in Performance: Making Meaning in the Theatre by Gay McAuley |
|
|
Unfortunately you do not have access to this item |
|
