 Australasian Drama Studies
Number 38 April 2001
Table of Contents
- Issue 038 (Full Issue PDF)
- ‘We Want Hope’: the Power of Indigenous Arts in Australia today. The 2000 Rex Cramphorn Memorial Lecture WESLEY ENOCH
- Teaching Shakespeare in locked facilities PHILIPPA KELLY
- Post-feminist Physical Theatre: the Abject and the Split Subject in My Vicious Angel by Christine Evans ADELE CHYNOWETH
- Sugar, Land and Belonging: Summer of the Seventeenth Doll and No Sugar RUSSELL McDOUGALL
- ‘What Happens to the Spectator of Hysteria’s Realism?’ The Reception of Elizabeth Robins’and Florence Bell’s Alan’s Wife (1893) SUE THOMAS
- Proscenium Arches and Fashion Columns: Brisbane Theatre and the Role of Women During the Wars DELYSE RYAN
- Whose Turn to Shout? The Crisis in Australia Musical Theatre PETER FITZPATRICK
Reviews
GEOFFREY MILNE, Crazy Brave by Michael Gurr and A Beautiful Life by Michael Futcher and Helen Howard
DON BACHELOR, Georgia by Jill Shearer
JONATHAN DAWSON, Looking for Alibrandi: The Screenplay by Melina Marchetta
DENISE VARNEY, Feminist Theatre Practice: A Handbook by Elaine Aston
HAROLD LOVE, Visual Ephemera: Theatrical Art in Nineteenth-century Australia by Anita Calloway
IAN MAXWELL, Corpus Delecti: Performance Art of the Americas ed. Coco Fusco
BARBARA GARLICK, Defiance: Political Theatre in Brisbane 1930-1962 by Connie Healy
HOWARD McNAUGHTON, The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies by Ric Knowles
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