Australasian Drama Studies
Issue 43 October 2003
Performing Ireland
Edited by Brian Singleton and Anna McMullan
A special focus issue of Australasian Drama Studies
Table of Contents
- Issue 043 (Full Issue PDF)
- Performing Ireland: New Perspectives on Contemporary Irish Theatre BRIAN SINGLETON and ANNA McMULLAN
- Renegotiating Landscapes of the Female: Voices, Topographies and Corporealities of Alterity in Marina Carr’s Portia Coughlan MELISSA SIHRA
- ‘The Souvenir from Foreign Parts’: Foreign Femininity in Deborah Warner’s Medea AOIFE MONKS
- Shattering Images of Sex Acts and Other Obscene Staged Transgressions in Contemporary Irish Plays by Men STEPHEN DI BENEDETTO
- ‘There’s Something Queer Here’: Modern Ireland and the Plays of Frank McGuinness DAVID CREGAN
- Hard Wired/Tender Bodies: Power, Loneliness, the Machine and the Person in the Work of Desperate Optimists CATHY LEENEY
- The Fantasy of Post-Nationalism in Northern Theatre: Caught Red Handed Transplanting the Planter MARK PHELAN
- Gendered Media Rivalry: Irish Drama and American Film ROBIN ROBERTS
- ‘Inside the Immigrant Mind’: Nostalgic Versus Nomadic Subjectivities in Late Twentieth-Century Irish Drama PAUL MURPHY
- ‘Have you no homes to go to?’ Staging the Diaspora: a Study of Milo’s Wake JULIE-ANN ROBSON
- Kia ora Begorrah: Performing Irishness in Aotearoa DAVID O’DONNEL
NOTE from Helen Thompson
Reviews
NADIA FLETCHER, The Jack Manning Trilogy by David Williamson
JONATHAN DAWSON, Dirty Deeds: Screenplay by David Caesar, and Rabbit-Proof Fence: Screenplay by Christine Olsen
DAVID CARNEGIE, Ben Jonson and Theatre: Performance, Practice and Theory by Richard Cave, Elizabeth Schafer, & Brian Wooland
CATHERINE NEWEY, Reflecting the Audience, London Theatregoing, 1840-1880 by Jim Davis & Victor Emeljanow
RICHARD FOTHERINGHAM, Dames, Principal Boys … and All That: A History of Pantomime in Australia by Viola Tait
MICHELE PIERSON, Why the French Love Jerry Lewis: From Cabaret to Early Cinema by Rae Beth Gordon
IAN MAXWELL, Re:Direction: A Theoretical and Practical Guide ed. Rebecca Schneider & Gabrielle Cody
JULIAN MEYRICK, Nowhere but Broadway by Jill Shearer and In-yer-face Theatre: British Drama Today by Aleks Sierz
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Issue 043 (Full Issue PDF) |
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Unfortunately you do not have access to this item |
Performing Ireland: New Perspectives on Contemporary Irish Theatre BRIAN SINGLETON and ANNA McMULLAN |
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Unfortunately you do not have access to this item |
Renegotiating Landscapes of the Female: Voices, Topographies and Corporealities of Alterity in Marina Carr’s Portia Coughlan MELISSA SIHRA |
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Unfortunately you do not have access to this item |
‘The Souvenir from Foreign Parts’: Foreign Femininity in Deborah Warner’s Medea AOIFE MONKS |
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Shattering Images of Sex Acts and Other Obscene Staged Transgressions in Contemporary Irish Plays by Men STEPHEN DI BENEDETTO |
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‘There’s Something Queer Here’: Modern Ireland and the Plays of Frank McGuinness DAVID CREGAN |
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Hard Wired/Tender Bodies: Power, Loneliness, the Machine and the Person in the Work of Desperate Optimists CATHY LEENEY |
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The Fantasy of Post-Nationalism in Northern Theatre: Caught Red Handed Transplanting the Planter MARK PHELAN |
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Gendered Media Rivalry: Irish Drama and American Film ROBIN ROBERTS |
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‘Inside the Immigrant Mind’: Nostalgic Versus Nomadic Subjectivities in Late Twentieth-Century Irish Drama PAUL MURPHY |
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‘Have you no homes to go to?’ Staging the Diaspora: a Study of Milo’s Wake JULIE-ANN ROBSON |
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Kia ora Begorrah: Performing Irishness in Aotearoa DAVID O’DONNEL |
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