 Australasian Drama Studies
Number 46 April 2005
Table of Contents
- Issue 046 (Full Issue PDF)
- Remembering masculinities in the theatre of war JONATHAN BOLLEN
- The misfit male body in Adelaide Theatre, 1959 BRUCE PARR
- What’s a man to do? Images of rural Australian masculinities in three plays of the 1950s: Reedy River, The Bastard Country and Lola Montez ADRIAN KIERNANDER
- ‘The play’s the thing’ no longer: non-linear narrative Kate Champion’s Same, same But Different ROSEMARY KLITCH
- Identity performance in Northern Ireland and Australia: The Belle of the Belfast City and Radiance REBECCA PELAN
- Experiencing Kane: an affective analysis of Sarah Kane’s ‘experiential’ theatre in performance ALYSON CAMPBELL
- Brave ‘new world’: Asian voices in the Theatre of Aotearoa LISA WARRINGTON
- Official amnesias and embodiments of memory in Australia’s Top End LESLEY DELMENICO
- ‘Here’s a marvelous convenient place for our rehearsal’: Shakespeare in Australian space ROSEMARY GABY
Reviews
RICHARD FOTHERINGHAM, Shashibiya: Staging Shakespeare in China by Li Ruru
BRIDGET MARY AITCHISON, Merely Players? Actors’ Accounts of Performing Shakespeare by Jonathan Holmes and Inside the Royal Shakespeare Company: Creativity and Institution by Colin Chambers;
VICTOR EMELJANOW, Alice May, Gilbert and Sullivan’s First Prima Donna by Adrienne Simpson
HOWARD McNAUGHTON, Oscar Asche, Orientalism, and British Musical Comedy by Brian Singleton
RUSSELL FEWSTER, Konstantin Stanislavsky by Bella Martin and Vsevolod Meyerhold by Jonathon Pitches
ADRIAN KIERNANDER, Dodin and the Maly Drama Theatre: Process to Performance by Maria Shevtsova
MARYROSE CASEY, Theatre Australia (Un)limited: Australian Theatre Since the 1950s by Geoffrey Milne
WILLIAM PETERSON, Staging Nation: English Language Theatre in Malaysia and Singapore by Jacqueline Lo
GLEN D’CRUZ, Alternatives: Debating Theatre Culture in the Age of Con-Fusion ed. Peter Eckersall, Uchino Tadashi and Moriyama Naoto
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