Australasian Drama Studies

Issue 49 October 2006

Theatre Emotion & Interculturalism
Edited by Peta Tait and Jung-Soon Shim
A special focus issue of Australasian Drama Studies

Table of Contents

1. Issue 049 (Full Issue PDF)
2. JUNG-SOON SHIM Introduction: Translating Emotions for the Local Audience
3. PETA TAIT Introduction: Reasoning Emotions in Theatre
4. SUE-ELLEN CASE Musical The Last Empress: A Korean Staging of Woman and Nation
5. JUNG-SOON SHIM Performing Emotion Interculturally: The Korean Production of Love Child
6. PETA TAIT Embodying Love: Mother Meets Daughter in Theatre for Cultural Exchange
7. YOON-TAEK LEE Translated by JOHN CHA and JUNG-SOON SHIM Playscript: O Gu: The Ritual of Death
8. JULIE HOLLEDGE O Gu: A Cross-cultural Case Study of Emotional Expression in Contemporary Korean and Australian Theatre

Reviews

HILARY HALBA, Frangipani Perfume and Dianna Fuemana, Mapaki (Wellington: The Play Press, 2004);  Oscar Kightley and Simon Small, Fresh Off the Boat (Wellington: The Play Press, 2005);  Albert Wendt, The Songmaker’s Chair (Wellington: Huia, 2004) by Makerita Urale; 

JERRY C. JAFFE, Noh Business (Berkeley: Atelos, 2005) by Murray Edmond; 

PETA TAIT, The Dolls’ Revolution: Australian Theatre and the Cultural Imagination (Melbourne: Australian Scholarly, 2005) by Rachel Fensham and Denise Varney, with Maryrose Casey and Laura Ginters; 

JULIAN MEYRICK, Not Wrong – Just Different: Observations on the Rise of Contemporary Theatre (Sydney: Currency Press, 2005) by Katherine Brisbane;  

CAROLYN D’CRUZ, Beneath the Sequined Surface: An Insight into Sydney Drag (Sydney: Currency Press, 2006) by Carol Langley; 

IAN MAXWELL, Electoral Guerilla Theatre: Radical Ridicule and Social Movements (New York and London: Routledge, 2005) by L. M. Bogad; 

RONALDO MORELOS, The Aesthetics of the Oppressed (London and New York: Routledge, 2006) by Augusto Boal; 

IAN GASKELL, A Boal Companion: Dialogues on Theatre and Cultural Politics (New York and London: Routledge, 2006) eds Jan Cohen-Cruz and Mandy Schutzman; 

SALLY GARDNER, Exhausting Dance: Performance and the Politics of Movement (New York and London: Routledge, 2006) by Andre Lepecki; 

IAN MAXWELL, The Path of the Actor (London and New York: Routledge, 2005) by Michael Chekhov, (edited by Andrei Kirillov and Bella Martin).