| Issue 050 (Full Issue PDF) |
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| DANIEL KEENE A Theatre of Difference |
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| STEPHEN VAGG Finch, Fry and Factories: A Brief History of Mercury Theatre |
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| ROSEMARY FARRELL Chinese Acrobatics Unmasked in Australian Circus in the Nineteenth Century |
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| RICHARD FOTHERINGHAM and ROB PENSALFINI Anti-colonial Voices? Non-British Accents and the National Authentication of Shakespeare in Australia in the 1970s |
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| MEREDITH ROGERS Dramaturgy as Political Desire: Making a Democratic Space-the Orestes Trilogy (Melbourne, Australia,1974) |
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| MURRAY EDMOND Te Kaainga/Where The Fire Burns- Hone Kouka's Trilogy: Waiora, Homefires and The Prophet |
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| BREE HADLEY Dis/identification in Contemporary Physical Performance: NYID's Scene of the Beginning from the End |
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| PAUL DWYER Still Rehearsing the Revolution? 'Theatre of the Oppressed', State Subsidy and Drug War Politics |
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| MICHAEL ANDERSON and LINDEN WILKNSON |
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| MARK STEON Recognising and misrecognising the 'X' Factor: The Audition Selection Process in Actor-training Institutions Revisited |
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Australasian Drama Studies