 Australasian Drama Studies
Volume 53 October 2008
Table of Contents - Issue 053 (Full Issue PDF)
- MEREDITH ROGERS and ELIZABETH SCHAFER Introduction:Lineages, Techniques, Training and Traditions
- BREE HADLEY Influences, Institutions and Outcomes: A Survey of Masters and Doctoral Theses on Actor Training in Australia, 1979-2004
- IAN MAXWELL 'All Exercise Sessions to Take Place in Complete Silence': Performance Syndicate and the Rise and Fall of the Grotowskian Ideal 1969-1974
- GEOFFREY MILNE Lighthouse: A 'Mainstage" Ensemble Experience
- PETER ECKERSALL and YONI PRIOR Lineages, Training, Techniques and Tradition: Rethinking the Place of Rusden in Melbourne's Contemporary Theatre - A Roundtable Discussion
- LIZA-MARE SYRON 'The Bennelong Complex': Critical Perspectives on Contemporary Indigenous Theatre and Performance Practice
- PETA TAIT Bodies Perform Inner Emotions: Stanislavski's Legacy
- BARRY LAING Physical Practice/Imaginal Play: Un-disciplining the Performer
- ANDREW FILMER The Place of Theatre Practice: Training and Aesthetic Tradition at Belvoir Street
- MEREDITH ROGERS Actors and Chairs: Towards the Genealogy of a Rehearsal Room Exercise
- KATE ROSSMANITH Traditions and Training in Rehearsal Practice
- JULIAN MEYRICK Wayne Blair in Interview
- NIAMH DOWLING Moving into Performance:Using the Principles of the Alexander Technique to Underpin and Enhance the Ator's Training
- LYNN EVERETT Jacques Lecoq's Bouffons in Australia
- ROSEMARY FARRELL Nanjing Project: Chinese Acrobatcs, Australain New Circus and Hybrid Intercultural Performance
- MARIA BRIGIDA DE MIRANDA The NYID Workshop: Physical Performance in Space
- Review: HILARY HALBA, Number Two and BARE by Tao Fraser;
- Review: LISA WARRINGTON, Three Plays: Skin Tight, Mo & Jess Kill Susie, An Unseasonable Fall of Snow by Gary Henderson;
- Review: JERRY JAFFEE, Performing Aotearoa: New Zealand Theatre & Drama in an age of Transition by Marc Maufort and David O'donnell, eds;
- Review: JASNA NOVAKOVIC, Plays of the '50s, Volume 1, by Katherine Brisbane, ed.
- Review: MARK SETON, Riflemind by Andrew Upton;
- Review: MARK SETON, It Just Stopped and Myth, Propaganda and Disaster in Nazi Germany and Contemporary America: A Drama in 30 Scenes by Stephen Sewell;
- Review: ADAM BROINOWSKI, Strangers Inbetween and adaptation of Timothy Conigrave's Holding the Man by Tommy Murphy;
- Review: GLENN D'CRUZ, Stage Presence by Jane Goodall;
- Review: ADAM BROINOWSKI, Class Act: Melbourne Workers Theatre 1987-2007 by Glen D'Cruz ed.
- Review: WILLIAM PETERSON, Haresh Sharma: The Cultural Politics of Playwriting in Contemporary Singapore, Interlogue: Studies in Singapore Literature, Volume 6, by David Birch;
- Review: BRYONI TREZISE, The Theatre of Societas Raffaello Sanzio by Claudia Castellucci, Romeo Castellucci, chiara Guidi, Joe Kelleher and Nicholas Ridout.
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| Issue 053 (Full Issue PDF) |
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|
Unfortunately you do not have access to this item |
| MEREDITH ROGERS and ELIZABETH SCHAFER Introduction:Lineages, Techniques, Training and Traditions |
|
|
Unfortunately you do not have access to this item |
| BREE HADLEY Influences, Institutions and Outcomes: A Survey of Masters and Doctoral Theses on Actor Training in Australia, 1979-2004 |
|
|
Unfortunately you do not have access to this item |
| IAN MAXWELL 'All Exercise Sessions to Take Place in Complete Silence': Performance Syndicate and the Rise and Fall of the Grotowskian Ideal 1969-1974 |
|
|
Unfortunately you do not have access to this item |
| GEOFFREY MILNE Lighthouse: A 'Mainstage" Ensemble Experience |
|
|
Unfortunately you do not have access to this item |
| PETER ECKERSALL and YONI PRIOR Lineages, Training, Techniques and Tradition: Rethinking the Place of Rusden in Melbourne's Contemporary Theatre - A Roundtable Discussion |
|
|
Unfortunately you do not have access to this item |
| LIZA-MARE SYRON 'The Bennelong Complex': Critical Perspectives on Contemporary Indigenous Theatre and Performance Practice |
|
|
Unfortunately you do not have access to this item |
| PETA TAIT Bodies Perform Inner Emotions: Stanislavski's Legacy |
|
|
Unfortunately you do not have access to this item |
| BARRY LAING Physical Practice/Imaginal Play: Un-disciplining the Performer |
|
|
Unfortunately you do not have access to this item |
| ANDREW FILMER The Place of Theatre Practice: Training and Aesthetic Tradition at Belvoir Street |
|
|
Unfortunately you do not have access to this item |
| MEREDITH ROGERS Actors and Chairs: Towards the Genealogy of a Rehearsal Room Exercise |
|
|
Unfortunately you do not have access to this item |
| KATE ROSSMANITH Traditions and Training in Rehearsal Practice |
|
|
Unfortunately you do not have access to this item |
| JULIAN MEYRICK Wayne Blair in Interview |
|
|
Unfortunately you do not have access to this item |
| NIAMH DOWLING Moving into Performance:Using the Principles of the Alexander Technique to Underpin and Enhance the Ator's Training |
|
|
Unfortunately you do not have access to this item |
| LYNN EVERETT Jacques Lecoq's Bouffons in Australia |
|
|
Unfortunately you do not have access to this item |
| ROSEMARY FARRELL Nanjing Project: Chinese Acrobatcs, Australain New Circus and Hybrid Intercultural Performance |
|
|
Unfortunately you do not have access to this item |
| MARIA BRIGIDA DE MIRANDA The NYID Workshop: Physical Performance in Space |
|
|
Unfortunately you do not have access to this item |
| Review: HILARY HALBA, Number Two and BARE by Tao Fraser; |
|
|
Unfortunately you do not have access to this item |
| Review: LISA WARRINGTON, Three Plays: Skin Tight, Mo & Jess Kill Susie, An Unseasonable Fall of Snow by Gary Henderson; |
|
|
Unfortunately you do not have access to this item |
| Review: JERRY JAFFEE, Performing Aotearoa: New Zealand Theatre & Drama in an age of Transition by Marc Maufort and David O'donnell, eds; |
|
|
Unfortunately you do not have access to this item |
| Review: JASNA NOVAKOVIC, Plays of the '50s, Volume 1, by Katherine Brisbane, ed. |
|
|
Unfortunately you do not have access to this item |
| Review: MARK SETON, Riflemind by Andrew Upton; |
|
|
Unfortunately you do not have access to this item |
| Review: MARK SETON, It Just Stopped and Myth, Propaganda and Disaster in Nazi Germany and Contemporary America: A Drama in 30 Scenes by Stephen Sewell; |
|
|
Unfortunately you do not have access to this item |
| Review: ADAM BROINOWSKI, Strangers Inbetween and adaptation of Timothy Conigrave's Holding the Man by Tommy Murphy; |
|
|
Unfortunately you do not have access to this item |
| Review: GLENN D'CRUZ, Stage Presence by Jane Goodall; |
|
|
Unfortunately you do not have access to this item |
| Review: ADAM BROINOWSKI, Class Act: Melbourne Workers Theatre 1987-2007 by Glen D'Cruz ed. |
|
|
Unfortunately you do not have access to this item |
| Review: WILLIAM PETERSON, Haresh Sharma: The Cultural Politics of Playwriting in Contemporary Singapore, Interlogue: Studies in Singapore Literature, Volume 6, by David Birch; |
|
|
Unfortunately you do not have access to this item |
| Review: BRYONI TREZISE, The Theatre of Societas Raffaello Sanzio by Claudia Castellucci, Romeo Castellucci, chiara Guidi, Joe Kelleher and Nicholas Ridout. |
|
|
Unfortunately you do not have access to this item |
|
