Australasian Drama Studies
Volume 56 April 2010
Table of Contents - Issue 056 (Full Issue PDF)
- Editorial Note Geoffrey Milne
- FIONA WINNING Rex Cramphorn Memorial Lecture: Creativity and Flexibility: The Nexus between Infrastructure Space and Art
- DAWN ALBINGER Resisting Romantic Love: Transforming the Wound of Amputation into a Caress
- HELEN GREHAN Aboriginal Performance: Politics, Empathy and the Question of Reciprocity
- ANGELA CAMPBELL Yandy: Walking the Uneven Lie of a Mining Boom
- PETA TAIT Human Rights, Humanness and the Animalness in Antigone: Empathetic Emotions and Company B's Production
- WILLIAM PETERSON The Fashioning of a Melbourne Event: The Melbourne International Arts Festival 2002-2009
- ELIZABETH HALE The Lost Echo: Introduction
- ADRIAN KIERNANDER Abjected Arcadias: Images of Classical Greece and Rome in Barrie Kosky's Oedipus, The Lost Echo and The Women of Troy
- ELIZABETH HALE The Pursuit of Youth: Adolescence, Seduction and the Pastoral in Act One of The Lost Echo
- JOHN McCallum and TOM HILLARD Shocking Audiences Modern and Ancient
- KIM BASTON Jacques Brel and Circus Performance: The Compiled Score as Discourse in The Spaces Between by Circa
- CAT HOPE Vibrating Performance: Experiencing Music through Vibration in the Work of Abe Sada
- YANA TAYLOR Slow Dance or Fast Sculpture: Suzuki Training in Sydney's Contemporary Performance
- JASNA NOVAKOVIC Dorothy Hewett's Sacred Place
- STEPHEN VAGG Alec Coppel: Australian Playwright and Survivor
- Review: VICTOR EMELJANOW, Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s, edited by Robert Dixon and Veronica Kelly;
- Review: MAY-BRIT AKERHOLT, Belonging: Australian Playwriting in the 20th Century, by John McCallum;
- Review: GILLIAN ARRIGHI, To Watch Theatre: Essays on Genre and Corporeality, by Rachel Fensham;
- Review: BREE HADLEY, Independent Brisbane: Four Plays;
- Review: MAGGI PHILLIPS, Victor Turner and Contemporary Cultural Performance, edited by Graham St John;
- Review: JONATHAN MARSHALL, Performing Femininity: Dance and Literature in German Modernism, by Alexander Kolb;
- Review: ADAM BROINOWSKI, Contemporary African American Women Playwrights: A Casebook, edited by Philip C.Kolin;
- Review: GRETA BOND, Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies, edited by Shannon Rose Riley and Lynette Hunter.
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Issue 056 (Full Issue PDF) |
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Editorial Note Geoffrey Milne |
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Unfortunately you do not have access to this item |
FIONA WINNING Rex Cramphorn Memorial Lecture: Creativity and Flexibility: The Nexus between Infrastructure Space and Art |
|
|
Unfortunately you do not have access to this item |
DAWN ALBINGER Resisting Romantic Love: Transforming the Wound of Amputation into a Caress |
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Unfortunately you do not have access to this item |
HELEN GREHAN Aboriginal Performance: Politics, Empathy and the Question of Reciprocity |
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Unfortunately you do not have access to this item |
ANGELA CAMPBELL Yandy: Walking the Uneven Lie of a Mining Boom |
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|
Unfortunately you do not have access to this item |
PETA TAIT Human Rights, Humanness and the Animalness in Antigone: Empathetic Emotions and Company B's Production |
|
|
Unfortunately you do not have access to this item |
WILLIAM PETERSON The Fashioning of a Melbourne Event: The Melbourne International Arts Festival 2002-2009 |
|
|
Unfortunately you do not have access to this item |
ELIZABETH HALE The Lost Echo: Introduction |
|
|
Unfortunately you do not have access to this item |
ADRIAN KIERNANDER Abjected Arcadias: Images of Classical Greece and Rome in Barrie Kosky's Oedipus, The Lost Echo and The Women of Troy |
|
|
Unfortunately you do not have access to this item |
ELIZABETH HALE The Pursuit of Youth: Adolescence, Seduction and the Pastoral in Act One of The Lost Echo |
|
|
Unfortunately you do not have access to this item |
JOHN McCallum and TOM HILLARD Shocking Audiences Modern and Ancient |
|
|
Unfortunately you do not have access to this item |
KIM BASTON Jacques Brel and Circus Performance: The Compiled Score as Discourse in The Spaces Between by Circa |
|
|
Unfortunately you do not have access to this item |
CAT HOPE Vibrating Performance: Experiencing Music through Vibration in the Work of Abe Sada |
|
|
Unfortunately you do not have access to this item |
YANA TAYLOR Slow Dance or Fast Sculpture: Suzuki Training in Sydney's Contemporary Performance |
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|
Unfortunately you do not have access to this item |
JASNA NOVAKOVIC Dorothy Hewett's Sacred Place |
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|
Unfortunately you do not have access to this item |
STEPHEN VAGG Alec Coppel: Australian Playwright and Survivor |
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|
Unfortunately you do not have access to this item |
Review: VICTOR EMELJANOW, Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s, edited by Robert Dixon and Veronica Kelly; |
|
|
Unfortunately you do not have access to this item |
Review: MAY-BRIT AKERHOLT, Belonging: Australian Playwriting in the 20th Century, by John McCallum; |
|
|
Unfortunately you do not have access to this item |
Review: GILLIAN ARRIGHI, To Watch Theatre: Essays on Genre and Corporeality, by Rachel Fensham; |
|
|
Unfortunately you do not have access to this item |
Review: BREE HADLEY, Independent Brisbane: Four Plays; |
|
|
Unfortunately you do not have access to this item |
Review: MAGGI PHILLIPS, Victor Turner and Contemporary Cultural Performance, edited by Graham St John; |
|
|
Unfortunately you do not have access to this item |
Review: JONATHAN MARSHALL, Performing Femininity: Dance and Literature in German Modernism, by Alexander Kolb; |
|
|
Unfortunately you do not have access to this item |
Review: ADAM BROINOWSKI, Contemporary African American Women Playwrights: A Casebook, edited by Philip C.Kolin; |
|
|
Unfortunately you do not have access to this item |
Review: GRETA BOND, Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies, edited by Shannon Rose Riley and Lynette Hunter. |
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Unfortunately you do not have access to this item |
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