October 2016
Contents
Editorial Note
by Meredith Rogers, Mick Douglas and Bree Hadley
Performing Mobilities
Mick Douglas
Mobilising the Mobilities Paradigm in Drama, Theatre and Performance Studies: Potentials, Politics and Pitfalls
Bree Hadley
Moving ‘Misfits’
Kate Maguire-Rosier
Ship Inventory: Preparations Across Twelve Months
Amaara Raheem
Layne Waerea’s Public Laughter
Christopher Braddock
5 Short Blasts
Madeleine Flynn and Tim Humphrey
Migrant Mobilities: Cruel Optimism and the Case of A.J. D’Cruz
Glenn D’Cruz
Algorithmic Misfits
Ben Landau
Unsteady Belongings: Rethinking the Experience of Nation through Movement
Justine Shih Pearson
14 Thoughts about the Ghan – in the Shape of a Train
Meredith Rogers
Like Riding a Bicycle: Achieving Balance through Mobility in Site-Specific Performance – A Comparative Study of Railway Wonderland (2015)
by Northern Rivers Performing
Arts and Sir Don v The Ratpack (2009)
by Guerrilla Street Theatre Paul Davies
Reviews
SHARON MAZER,
Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania, by Diane Looser, and Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson;
JONATHAN W. MARSHALL,
I Shudder to Think: Performance as Philosophy, by Margaret Cameron;
NICOLA HYLAND,
Here/Now: 8 Plays by Award-Winning NZ Playwrights, edited by David O’Donnell; LISA WARRINGTON, The FitzGerald Brothers’ Circus: Spectacle, Identity and Nationhood at the Australian Circus,by Gillian Arrighi;
EMMA WILLIS,
Despatch, by Angie Farrow; JANE WOOLLARD, Imagined Landscapes: Geovisualizing Australian Spatial Narratives, by Jane Stadler, Peta Mitchell and Stephen Carleton
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