Australasian Drama Studies

Issue 74 | April 2019

Table of Contents

1. Issue 074 (Full Issue PDF)
2. Editorial
3. The NDIS and Disability Arts in Australia: Opportunities and Challenges Bree Hadley, Gerard Goggin et al
4. Verbatim Theatre and a Dramaturgy of Belonging Sarah Peters
5. A West End Celebrity Proselytises the Bonds of Empire: Seymour Hicks and Bruce Bairnsfather’s Old Bill in 1920s Australia Veronica Kelly
6. Visions of Restorative Justice in Theatre, Theory and Practice Paul Dwyer, J.R. Martin and Michele Zappavigna
7. Breathtaking Performance: a room with no air’s Exhaustive Aesthetics of Holocaust Memory Bryoni Trezise
8. Playing the Edinburgh Lottery: Six Decades of New Zealand Theatre at the Edinburgh Festival Fringe James Wenley
9. Toward an Ethical Practice: Child Performers in Contemporary Performance for Adult Audiences Sarah Austin
10. Creating Feminine/ist Theatre: Écriture Féminine as a Framework for Directors Laura Hartnell
11. Ranters: Rehearsal and Development Process – How Is the Text Enacted? Raimondo Cortese
12. The Veil of Queer Aesthetics: Lindsay Kemp and the Subtext of Gay Desire in Oscar Wilde’s Salomé Gerrard Carter
13. Reviews
14. Contributors