Australasian Drama Studies

Issue 80 | April 2022

Table of Contents

1. Issue 080 (Full Issue PDF)
2. Contents
3. Editorial Yoni Prior
4. Looking Forwards to the 1950s: Utilising the Concept of Hauntology to Investigate Australian Theatre History Julian Meyrick
5. Before Neo-Burlesque, There Was Queer Cabaret: Revisiting Queer Performances from Melbourne in the 1990s Maude Davey
6. Shadows of the Australian Performing Arts Ecology Görkem Acaroğlu
7. ‘Time’s Up, Motherf*%ker’: Emasculation and Restaging Justice for Women in Aotearoa New Zealand Nicola Hyland
8. The Use of Irony in Pākehā Performance Adriann Smith
9. Director/Mother/Outlaw Katy Maudlin
10. Traversing the Proscenium: Audience Enworlding in Musical Theatre Stuart Grant, Narelle Yeo and Melissa Fenton
11. ‘What Do You Mean We Aren’t Performing Shakespeare?’: A Contemporary, Devised Performance Curriculum at a Regional Australian University Gillian Arrighi, Clare Irvine, Brian Joyce and Carine
12. Between Freedom and Control: A Chorus-Centred Bakkhai for Community Ensemble Vahri McKenzie
13. Driving “Transformational change”: using ecodramaturgy to develop a more sustainable theatre ecosystem Dr Saffron Benner
14. Oppression and allyship in Australia’s Deaf Arts. Racheal Missingham and Bree Hadley
15. Reviews
16. Contributors