Australasian Drama Studies

Issue 84| April 2024

Table of Contents

1. Issue 084 (Full Issue PDF)
2. Contents
3. Editorial
4. ‘Poor Gaels Are Tormented, Troubled and in Sorry Plight’: Reimagining an Anti-Colonial Irish Performance Tradition Through the Voices of Australian Female Convicts – Melita Rowston
5. Witnessing Touch in Theatre-Making Processes: Exploring Agency for ‘Witness-Participants’ of Staged Intimacy and Violence – Susan Fenty Studham and Gabrielle Metcalf
6. His Book, Her Play: Kate Mulvany’s Adaptations of Masquerade and Jasper Jones – David Simes
7. The Audience as Social Collective: The Role of Intra-Audience Interaction in the Communication of Narrative in Immersive Theatre – Melissa Herburg
8. The Rough and the Tumble: Queer Themes in Robert Lord’s Plays – Chris Brickell
9. ‘Hello Person That Is Me’: Voices of Regional Youth in Playwriting Projects – David Megarrity, Jenna Gillett-Swan and Maisie Crosdale
10. Embedding Indigenous Perspectives within Actor Training: An Account of Inclusive Teaching Practices – Andrea L. Moor and Nicole Reilly
11. The Flower and the Frame: On Transplanting an Heirloom Play into Fresh Ground – Jane Woollard and Peta Murray
12. Imaging People Who Use Drugs: How Parliamentary Actors Picture and Tell Stories about the Subjects of Drug Law Reform – Sean Mulcahy and Kate Seear
13. Remember My Name: The Critical Role of ‘Selves’ in Transformative Acting – Suzie J. Jarmain
14. Bodies of Truth: Considering the Ethics of Physical Dramaturgy in Documentary Theatre – Missy Mooney
15. Waltzing Around the Veranda: Reclaiming the Dandy in Australian Bush Drama – Matthew Bapty
16. Review
17. Contributors